This album occaisionally is better than the studio version in some aspects, especially instrumentation. Posted Sunday, J| Review this album | Report (Review #9337) This is probably the bestįull live album by Pink Floyd although i have to admit that Ummagumma is still better. The interviews with the band are great for the fansĪnd its nice to see that Roger and Richard came to terms again. The visuals in the huge booklet that comes with the limited edition boxset show are a feast for the eyes and this is definetly money well spent. These two tracks reappear in the film of the wall. "The Last Few Bricks" is just a filler instrumental and is is understandable that this was cut from the album. "What Shall We Do Now?", i think is a crucial track off this live album and is excellently placed as an extension to "Empty Spaces". It is nice to see some of the songs that didn't make the studio album here. The Wall Live has to be one of the best stages of Pink Floyds life and one of the most draw dropping live shows of their career. Of course for Pink Floyd this is no problem with the The task at hand was to create a fascinating visual opus as The only good Pink Floyd effort from the 80's saw the band attempting to recreate theirĮpic concept album on stage. Posted Tuesday, Febru| Review this album | Report (Review #9330)
Pink floyd the wall album cover blank movie#
Outside of these particularities, this release had the dubious honour of a terrible face/mask artwork in both formats, the normal jewel case and the much nicer "boxset" where the pictures of the shows are definitely helping to understand what Roger was trying to build, before the movie would appear a few years later. The fake Pink Floyd group plying is another strange invention, also one of the interesting features of this album, and frankly, you couldn't tell them apart from the real ones. Outside the supreb hey You (future absent in the movie), there is an extra track (not present on the studio album), which is obviously the main (but not the only one) interest of this release and it is great but I am still waiting for Floyd to release the very first number in the film on CD (you know, the one showing Pink's father getting killed). Since this acquisition, I actually have been listening to this boxset more often than my original studio vinyl but then again Comfortably Numb (user-friendliness) is the name of the game. Gary Yudman / Master of Ceremonies Releases information
John Joyce, Stan Farber, Jim Haas, Joe Chemay / backing vocals Peter Woods / keyboards, acoustic guitar (2.14) Andy Roberts / guitar (1981 recordings) Andy Bown / bass, acoustic guitar (2.14) Richard Wright / piano, organ, synthesizer, accordion (2.14) Nick Mason / drums & percussion, acoustic guitar (2.14) David Gilmour / guitars, vocals, mandolin (2.14) Roger Waters / bass, vocals, acoustic guitar (1.7), clarinet (2.14)
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